Wednesday, January 31, 2007

Grilled Cheese Sandwich:The Revolution of Everyday Lunch

Directed by Jonathan Culp
Satan Macnuggit Popular Arts


It’s everything a good grilled cheese sandwich should be—crunchy around the edges, lightly grilled, completely saturated and, of course, very cheesy. I mean this in a good way when describing this film, written and directed by Jonathan Culp who is co-founder of the Toronto Video Activist Collective.

Chock full of nutritional messages about breaking free from boring lifestyles, promoting choice, bucking the system and awakening consciousness, the film depicts a group of wayward teens who initially indulge in less-than-savory activities to escape the grim reality of being raised in a town called Grimsville.

Things begin to really sizzle, however, when the group bands together to form the grilled cheese sandwich club, which becomes a booming success only after offering sandwiches for free. This puts the club in direct competition with the high school lunchroom ladies (dubbed the Moose Meat Ladies’ union) and the capitalistic Squirrely’s Pizza franchise. After a little lunch revolution and the decapitation of the Squirrely mascot, it seems that at least three of the characters in the film break free from grimness and ride off into the sunset towards big city Toronto.

This is an underground film that does not adhere to standard mainstream film-making formulations. So, for those who like a nice, linear, seamless story, Grilled Cheese Sandwich might be a challenge. However, metaphors are rampant and the message is clear that maybe we all need to take a look at the formulations so many of us buy into and find some way to at least reconstruct them.

Grilled Cheese Sandwich could serve as a public service announcement in some regions seeing as how, even in 2007, there are plenty of people who have yet to break free from boring lifestyles, promote choice, buck the system and awake consciousness.

Review by Sharon R. Cole

Floor Sample: A Creative Memoir

By Julia Cameron
Tarcher

Bestselling author and teacher Julia Cameron, known worldwide for her book The Artist’s Way, finally comes clean and tells all in her new memoir: Floor Sample. And when I say tells all, it’s not a cliché. I must admit when I first picked up this book, I feared I’d somehow lose my champion of creativity. How could she really live up to all she taught? How could she really walk the walk? I feared my mentor’s lessons would lose their impact within the story, behind the story.

Floor Sample will not disappoint. Cameron surpasses all of her previous work. The reader is allowed into her private past of alcohol and drug addiction, her fight to become sober and her battle with mental instability. We watch her struggle to be taken seriously as writer and then again as a composer of musicals in a male dominated art form. Her relationships, including her marriages to Martin Scorsese and Mark Bryan, are painfully revealed with an honesty that will break through the thickest of skeptics.

Her art unfolds as she describes the beautiful country side of her beloved Taos and the stimulating muse that exists in New York City. Within these pages, one can see Cameron apply her beliefs. No, it’s not a sweet, little story, but it is a story of success even when it seemed no success existed. Though deaths, divorces, loss of home and madness threaten her creativity, Julia applies her own brand of guts not to be matched by most.

This book will be satisfying to artists of all mediums and the general public. You don’t have to be well read in Cameron’s work to walk away with a lesson learned from this effort. It is a book that will remain on my shelf for years to come.

Review by Ann Hite

Click here to buy:

Floor Sample

Tuesday, January 30, 2007

We, Too, Must Love

By Ann Aldrich (a.k.a. Marijane Meaker)
Feminist Press

We, Too, Must Love, is Ann Aldrich’s second book of Kinseyesque reporting on New York City lesbians in the 1950s. At the time of the book’s original publication, in 1958, it was revolutionary. Any public debate or information on lesbians at the time had been strictly in medical and psychological terms. This in-depth look at the lives of lesbians in New York City was both shocking and lifesaving. The most poignant aspect of the book is that the text was written by a lesbian woman. She’s giving her observations and experiences in the lesbian community a powerful voice. As the back of the book declares, “The effect on women was electric.” This new pressing from The Feminist Press includes letters written to the author from lesbians, confused or angry parents, gay men, and friends that are both heartbreaking and heartwarming.

The key element of the book, for me, is that it, first and foremost, declares that lesbians are not a homogenous group. Many different forms of identity, education, social mobility, political commitments, professional aspirations, and sexual desires are portrayed with equal importance. It shows how all of these variants allow smaller communities to develop and, in each of those groups, even smaller cliques and couples emerge.

We, Too, Must Love is a fascinating read and provides a rare look into an era of queer history.

Review by Jen May

Click here to buy:

We, Too, Must Love

Monday, January 29, 2007

Various Artists – New Arrivals: Volume One

Mpress Records

Upbeat and flowing, this album has a lot of very powerful music and lyrics on it. From Noe Venable's "Juniper," to Paul Brill's "New Pagan Love Song," the music in this selection is a definite must-have. Whoever edited this work paid a lot of attention to detail and continuity between selections and it really, really shows. All of this music I found very upbeat and easy to listen to, but without being maudalin and boring. Well worth your listening time. Classic folk-type music in the modern era. These artists will defiantly become ones to watch for in the future.

Review by caroline tigeress


Click here to buy:

New Arrivals, Vol. 1

Sunday, January 28, 2007

Mosaicii Makeup Bag

By Tanja Koch (a.k.a. Sweet T Original)

I don’t even own a lot of makeup, y’all, but when this make up bag came through my door, I knew I had to have it. Tanja Koch has an eye for fabrics and uses a diverse mix of vintage, mod, and retro patterns to create bags and wristlets that attract the hip and the fashion conscious.

As if the interesting outer fabrics aren’t enough, the bag also has a beautiful, smooth, satin lining. It is well constructed with tight stitching (the mark of an experienced seamstress) so the seams won’t come loose; this also allows you to throw into the washing machine with the rest of your laundry, as needed. Measuring 8 inches by 5 inches by 3 inches, the bad is versatile for those, like me, who might prefer to use it as a clutch. The size also makes it easy to toss into a bigger bag, like when traveling or if you’re the kind of person who must carry everything with you at all times, just in case.

Cute and practical, an added bonus is that Koch’s products are affordable too! This bag is only $25. So get one now before she realizes that people will pay way more than what she’s charging for her fabulous goodies. Or pay her what she deserves, ya cheapskate, because supporting women designers is sooooo feminist!

Review by Mandy Van Deven

Saturday, January 27, 2007

The ‘07 Lunar Calendar

Edited by Nancy Passmore
Luna Press

A very interesting calendar, arranged by moon phases. It's a great idea, if a little confusing, but I feel in many ways it's really how our calendar system should be arranged. Bold, crisp, easy to read graphics, great artwork and much pro-earth text make this a really nifty calendar. My only caveat is that there's no space to write appointments and things of that nature on, a few lines in the corners might be the only improvement I'd make. An excellent purchase (just $23) and well worth perusing for that special gaia-loving person in your life.

Review by caroline tigeress

Friday, January 26, 2007

Remembering Women Murdered by Men: Memorials across Canada

By The Cultural Memory Group
Sumach Press

Every day, women are dying. We outnumber men nine to one as victims of violence, and it is affecting society socially and economically. A recent study by the government of Canada estimates the health-related cost of violence towards women costs the Canadian taxpayer $1.5 billion annually. If women are dying at such an alarming rate, why hasn’t our plight received more attention?

In the book Remembering Women Murdered by Men, The Cultural Memory Group attempts to provide a voice for the millions of victims of femicide. Over a period of five years they tour Canada, examining thirty monuments dedicated to brutalized women. Throughout we find common themes of resistance and bureaucratic foot-dragging; almost every memorial examined experiences some form of backlash. The resistance is patronizing, unwarranted, and found at all levels. Media takes issue with language that demonizes men, War veterans categorize femicide as an issue for “special interest groups,” and universities, keen to acknowledge that women are dying, are reluctant to recognize that women are dying at the hands of men.

The book illustrates the hard work and dedication involved in each monument. Despite public qualms, each memorial was brought into existence though a cooperation of grassroots political groups, local artisans, community volunteers and government officials. They are beautiful works of art that serve as a powerful reminder of gender inequalities. While the monuments turn public spaces into private places for reflection, the book acknowledges that monuments alone do not always inspire activism. Much work is needed in the form of public awareness and education.

If you are interested in women’s issues, read this book. It is informative and well written. While it does, at times, lose itself in academic diatribes, the book is on the whole an entertaining read. Pick it up, take a look, and then share it with a friend. In order to eliminate violence against women, we must first acknowledge it. Reading a book like this is a step in the right direction.

Review by Cheryl Santa Maria

Click here to buy:

Remembering Women Murdered by Men: Memorials Across Canada (Women's Issues Publishing Program)

Thursday, January 25, 2007

The New Loud – ME(secrets)YOU

http://www.myspace.com/thenewloud

This four-song EP from the Milwaukee-based group The New Loud isn’t groundbreaking, but enjoyable pop doesn’t always need to be earth-shattering. “Secrets” is a catchy pop-rock tune, with loud guitar and touches of synthesizer. A driving beat and punk attitude distinguish the frantic “Better This Way.” “Heart Attack” features staccato drum sections cleverly mimicking a heartbeat, more prominent synthesizers and a tempo slower than the previous songs. The vocals (both female and male, which is different than the first two tracks that have male vocals only) are muted and almost unintelligible, but the effect is rather mesmerizing. “Hot New Moves” sounds like a power rock song from the ’80s, in the best way: steady beat, chiming synthesizer and guitars, very danceable. The atmosphere reminds me of an end-of-summer carnival, something you’d hear while riding on the tilt-a-whirl. The upbeat, sunny mood defies the lyrics. This short sample inspires curiosity about the band’s future work.

Review by Karen Duda

Wednesday, January 24, 2007

Comic Book “Girl Power” & "Ladies Night" Tees

http://www.80stees.com/

Batgirl has been my hero since I was a small girl. As a young comic book geek, Batman was my favorite comic universe, and I absolutely adored Batgirl, because she had all the cool things that Batman had – but she was a girl. Supergirl was another favorite. I remember being four years old or so, and staring at the cover of a novelization for “Supergirl” the movie; it was frustrating, because I hadn't learned to read, but I liked looking at the picture.

Needless to say, these shirts are a fun homage to my childhood heroes. I'm not usually a T-Shirt fan, since they generally look like shapeless bags on me; but these have a flattering cut, and a fun, old-school look. On one, Batgirl, Wonder Woman, and Supergirl are all portrayed on a dark blue background with gold, glittery trim, and a proclamation of “Girl Power!”. One the other, six female super heroines declare that it's "Ladies Night." I love the nostalgic design – not to mention that Supergirl looks like Olivia Newton-John. This tee brought back good memories, and makes me want to do some crime-fighting of my own...or at least get in a good workout at the gym.

Review by Beeb Ashcroft

Tuesday, January 23, 2007

Delicate Moisture Body Oil

By Suki Pure Skin Care
http://
www.sukisnaturals.com

At first sniff from the bottle, the scent is not the best. However, the Delicate Moisture Body Oil from Suki has one of those scents that are best in application. It has a wonderful, earthy scent that is not overpowering, but light and relaxing, especially when applied to the skin. As well it is perfect in the bathtub. Though it says only a few drops are needed for the bath, I found that it was a much better experience with a little bit more than a few drops. What makes this oil so great is that it isn’t just some chemically-induced scent made in some factory. Suki products are all natural and 100% vegan. Not only can you understand the ingredients, you can recognize them as well. The Delicate Moisture Body Oil has such ingredients as organic apricot and natural oils such as grape seed, rose, sunflower and Vitamin E. All of these are noted for being indispensable for healthy skin. This product is highly recommended. The body oil was so enjoyable that I have already placed an order for facial cleanser. These products not only make you look good, but also make you feel good knowing that you have also had a positive effect on the environment. This was my first experience using Suki, and I am hooked.

Review by Diana Tierney

Click here to buy:

Suki Body Oil 5.7oz

Monday, January 22, 2007

Thunderball – Cinescope

ESL Music

Thunderball is an arty, urban collaboration of DJs that is comparable to a modern version of Dee-Lite. Cinescope is their latest offering to the tripped out gods of the discothèque. You could liken this 46-minute disc to Ali Baba and his forty thieves getting down with Shaft in Africa. Melding elements of Latin jazz, funk, reggae, disco, break beat and Indian strings, Cinescope takes listeners on a twelve-song magic carpet ride that is vibrant and worldly. The songs are catchy and flow nicely as they hover around the four-minute mark – long enough to develop character, but not so long that they become monotonous. Though the concoction might be a little too pompous for more grounded listeners, the sort of sexploitation doing lines in the bathroom with blaxploitation, Indian hipster funk set to the vibe of a Charlie’s Angels marathon vibe might appeal to the jet setting dilettante crowd.

Review by Patricia Valery

Click here to buy:

Cinescope

Sunday, January 21, 2007

Scrappy: A Crafty Zine for Scrappy People, #1: Stitches

By Niku
The Ephemeral Mailbox Museum

A couple of years ago, my grandmother gave me her sewing machine (circa 1940). Have I used it? Hardly. To hem a pair of pants a year or so ago. So I was thrilled when I was chosen to review Scrappy: A Craft Zine for Scrappy People, #1 Stitches. Perhaps it would be just the push I needed to unveil Grandma Betty’s machine and get to creating fabulous, designed-by-moi outfits!

Scrappy is an adorable handmade zine that is perfect for the beginner seamstress (or the hibernating one) looking for a little inspirational shove. Niku, the author, started sewing because she was unable to find a pirate skirt that “would fit a more voluptuous figure.” Scrappy was born out of her love for crafts, and Niku decided to dedicate the first issue to sewing since it’s one of her “favorite crafty activities.”

She explains the basic stitches – the blanket stitch, the whipstitch, the running stitch – and the basic tools – an iron, scissors, pins – necessary to begin. From there, the rest of the zine is dedicated to a number of simple and sassy projects: a reconstructed cardigan, all sorts of cozies (toilet paper, zine, tampon, and vibrator), curtains, and the de rigueur headband.

Visually, the zine is a joy. Xeroxed onto lavender paper and tied together with a fuzzy black string, it’s both typewritten and handwritten with old photos and vintage clip-art interspersed throughout, so even if you don’t want to sew, it’s still fun to look at.

Some of the illustrations are a little confusing (Niku admits she’s not an artist), but with a little experimentation, I think most folks could figure it out (She also includes her email address, so you can always drop her a line to ask for an explanation). There were a couple of pages that were out of order, and that was mildly annoying, but it’s a zine. That’s all part of the charm.

Scrappy is no hardcore instruction manual (a la Martha), thank God. It seems that the point is to explain the basics and then serve as inspiration. Niku admits that she rarely uses patterns, and instead “mostly goes by feel and makes it up as she goes.” So if you’re looking to get into improvisational sewing, then Scrappy is the zine for you.

Now, if I could just figure out how to turn the damn machine on.

Review by Margaux Laskey

Saturday, January 20, 2007

FemFatalities.com : Protecting Women and Animals

By PETA

As we enter into a year-and-a-half or so of political mayhem leading up to the Presidential election, we’re sure to hear a lot about top issues pertaining to women voters. Among them: healthcare. And while the issue of animal rights might not be specifically mentioned at the top of the list, it might as well be. After all, animal rights issues have a lot to do with healthcare—more specifically, women’s healthcare.

If you’re not sure about this, take a look at FemFatalities.com. A very credible, robust, and thorough site dedicated to protecting women and animals. Its content balances integrity with provocation. By that I mean that the editorial is direct and honest, and may be perceived by some as disturbing. Yet with the directness comes a high level of trust—trust that we can handle the truth and would be angered, disappointed even, by anything less.

On the home page, a spotlight on feminist icon Gloria Steinem who recently charged that the National Institute of Health is putting women’s health at risk by wasting tax dollars and conducting cruel and pointless animal testing.

The site also features various stories and investigations related to animal cruelty, campaign updates, ways to get involved, and a list of companies and charities that do and do not test on animals.

Adding to its credibility is the inclusion of high-grade video. Currently airing, a piece on primate torture at Columbia University as well as a PETA piece that is sure to make you think twice about buying certain brands of mascara. Be forewarned and enter these videos at your own risk. They’re not for the faint of heart. Of course, there’s nothing like a healthy dose of reality to affect change, and that is what FemFatalities.com is counting on.

It’s also counting on one very feminine trait: compassion. I mean, the thought that women were gaining at the expense of animals’ lives is heartbreaking. And, really, could there be anything more paradoxical?

A visit to this site is well worth the look. Not only is it an eye-opening experience, but it’s a way to stretch those feminist muscles, become active and help stop the cruelty.

Review by Sharon R. Cole

Friday, January 19, 2007

Trans/forming Feminisms: Trans-Feminist Voices Speak Out

Edited by Krista Scott-Dixon
Sumach Press

Krista Scott-Dixon’s collection, blending gender theory and a remarkable range of personal narratives, provides a powerful, complex and deeply moving introduction to a relatively neglected and misunderstood area of feminist study: the experiences, gendered multiplicity, personal and social struggles, and the touching humanity of people identified—for lack of a better term—as trans. The book thoroughly explodes the dualistic conception of gender, reviews research into the “constructedness” of our gendered identities and demonstrates dramatically some of the diverse ways in which gender is made manifest. This book, carefully produced and edited, ought to be snatched up by women’s and gender studies instructors—it will be a terrific addition to introductory classes, but it should also resonate with all of those who are willing to entertain the idea that the human world is not divided tidily into female and male.

Like many scholars who see critical theory as a central part of their professional mission, the editor invokes bell hooks’ understanding of theory as a “location for healing.” To theorize trans identity and experience is to take steps towards challenging oppression, towards understanding and complicating a central part of our identities. She rejects a facile embrace of trans identity among non-trans sympathizers (“it’s hip to be trans; maybe I’m trans, too”), and the narratives are as painful as they are celebratory.

The legal and ethical issues the book raises such as events and organizations with “womyn-born womyn only” policies or “no penis” policies similarly resist easy answers or sloganeering, but reveal the complex and uncertain alliance between self-described feminists and trans people. Just how inclusive have feminist organizations been? Can exclusivity be a legitimate strategy?

The terms used to categorize different identities, different understandings of sexual selves, are messy, overlapping, ambiguous—an indication that the theory is new, and that exploration of trans experience is still in its formative stages. While metaphors such as gender-bending or a gendered continuum have been useful constructs, names for the wide variety of gendered expression can be baffling: genderqueers, birls, FTMs and MTFs—the categorical language seems inadequate. And yet labels, however damaging they can be in one sense, afford a kind of group identity and can have explanatory and healing power. Dixon’s book might be the most accessible and potentially influential treatment this subject has yet received.

Review by Richard C. Taylor

Click here to buy:

Trans/forming Feminisms: Transfeminist Voices Speak Out

Thursday, January 18, 2007

El Perro del Mar – El Perro del Mar

The Control Group

Listening to El Perro del Mar – a pseudonym for the Swedish singer Sarah Assbring – makes me feel like I should be a character in an early 1960s television show. The chipper, pop melodies, be-bops and sha-la-las that underscore her melancholy lyrics about life and love have earned her comparisons to the Beach Boys and girl groups from the 50s and 60s. Like those groups, she’s also a big fan of repetition, as in the song “God Knows (You Gotta Give to Get)”:

God knows
I've been taking a lot without giving back
God knows
I've been taking a lot without giving back

You gotta give to get
You gotta give to get back
You gotta give to get
You gotta give to get back
You gotta give to get
You gotta give to get back to the love

Seems boring. It’s not. And don’t all of our obsessive thoughts tend to loop through our heads in quite the same way?

Yes, you’ll find yourself bopping your head to the left and the right when you slip this CD into your player, but unlike the Shirelles’ voices that sound as if they’ve gotten a good night’s sleep and sipped plenty of chamomile tea, Assbring’s is that of a woman who has been up all night weeping and throwing back glögg. Assbring probably has a perfect voice underneath it all, but she’s just too tired and hurt to give a shit. The Shirelles give you cotton candy, Assbring gives you burnt sugar.


Review by Margaux Laskey


Click here to buy:

El Perro Del Mar

Wednesday, January 17, 2007

Support Zine

Edited by Cindy Crabb (of Doris Zine)
Microcosm Publishing


“How do you define consent? Have you ever talked about consent with your partner(s) or friends? Do you know people, or have you ever been with people who define consent differently than you do?”

Thus begins one of the best zines I have ever read on the subject of healing from sexual abuse. This zine is specifically geared towards friends, lovers and allies of survivors, and is written in an accessible, loving, realistic way, including writing and comics by a dozen or so contributors who are healing from or supporting others with abuse histories (many have experienced both). Their words are painful, but also comforting for those of us who have struggled in this realm – the message is not tragic, it is one of hope and community and, well, support.

Topics include: consent, boundaries, triggers, dissociation, power dynamics, survivor guilt, recovering from trauma, flashbacks, staying present, confronting rapists, denial, panic attacks, and more. Being in the middle of these experiences can feel out of control and indefinable, making it impossible to communicate with a partner, especially if they are taking it personally. So having these words to consult and share could really make a difference. The advice is straight-forward and specific, while still relying on your intuitive and empathic powers, which makes the healing journey feel more like an adventure and less like torture, no matter how painful it is.

“It’s okay for us to have to work hard at what other people take for granted. The goal is not to return to some arbitrary centerpoint of normalcy from which we were robbed as children. We are not deviants. The goal is to heal, to be on a continuum of healing,” writes Chris Somerville in his essay, “Safe Sex for Survivors.”

While we’re all aware that most sexual abuse happens to girls at the hands of men, this zine also includes a lot of writing from the perspective of male survivors, and several stories of men being pressured into sex by women, which I’ve rarely heard talked about. Also, this zine manages to avoid demonizing abusers while holding everyone accountable for recognizing power dynamics and honoring other people’s boundaries. In one piece, the editor writes about the fucked up act of initiating sex with a sleeping person, and admits to having done this herself:

“Do they think about our abuse histories? Or the fact that we can’t say “no” when we’re asleep? Do they understand our complex defense systems and how vulnerable and terrified we might feel waking up to this assault? … The truth is, I used to crawl in people’s beds too. I thought of course all guys wanted it. I never considered the fact that I might be capable of assault. But of course, I am. A lot of us are.”

Whether or not you think you need it, whether or not you’re a survivor, or dating a survivor, or even having sex, you would probably benefit from reading this zine. And the people you choose to be intimate with will probably thank you for making their safety a priority.

Review by Nomy Lamm

Tuesday, January 16, 2007

Sexual Chocolate Lava Gloss

By Kristine’s Shower
http://www.inkristinesshower.com

There has always been a certain dilemma around buying flavored lip gloss. On one hand, who doesn’t want their lips to taste like dessert, but on the other, who wants to seem like a pre-teen Bonne Bell fan? Kristine’s Shower has solved that dilemma with their delectable Lava Gloss. The flavor I tried was Sexual Chocolate, a somewhat silly name for a wonderful product. The gloss comes out through a roller top, but unlike most other roller glosses, Lava Gloss doesn’t leave your lips excessively shiny or sticky. Instead, it is enhanced with Vitamin E, so Lava Gloss hydrates and leaves your lips as smooth as any balm might. The gloss tastes and smells remarkably like chocolate brownies, so it’s a good thing that you can apply over and over again! When you turn the tube upside down, the two colors of the gloss flow against each other much like a lava lamp, thus the name. Kristine’s Shower’s Lava Gloss is a tasty, moisturizing, eye-catching little gloss, one that I can’t wait to taste more flavors of. It’s definitely recommended for those who want a little more flavor in their lip gloss!

Review by Dana Reinoos

Monday, January 15, 2007

Ascent: Yoga for an Inspired Life (Winter 2006)

Published by Timeless Books

I am a lazy yoga practitioner: I go to class infrequently, never practice independently, and try but rarely manage to apply the principles of bliss, contentment, and internal focus to my hustle-bustle, hurry-scurry life.

Reading Ascent, a quarterly yoga magazine published in Montreal, has motivated me to be a little more yogic in the new year. Ascent is a beautifully-crafted glossy magazine. The Winter 2006 issue focuses on the theme of bliss which is explored in photo essays, exegeses by various swamis, and even a Peanuts comic, The Gita, in which Snoopy tells Linus “Even those who do not understand, but try what they hear and worship with faith, can transcend death, too.”

Ascent won the 2005 Utne Independent Press Award for Best Spiritual Coverage, but the strongest sections of the magazine are those which are focused on story and not spirit. The meditations by swamis are a bit tepid on whole, and I was quickly bored with the essay on Rumi’s mystical poetry because it fails to analyze the form or content of the poetry and instead riffs on divine tangents which, in my mind, are too esoteric and not based on the material fact of Rumi’s work.

The strongest sections of the magazine are the personal essays and non-fiction accounts, which include an essay on Bhutan, and a lovely essay about finding bliss while working in a bookshop. There is also a finely written, empathetic yet critical account by Hilary Keever about a drug rehab center/commune in Italy.

Yes, if you are at all interested in Eastern philosophy and yogic values, subscribe to Ascent. Maybe if you are more enlightened than I am, you won’t be as tempted to roll your eyes and can fully enjoy this well-edited and unique magazine.

Review by Rachel McCrystal

Click here to buy:

Ascent

Sunday, January 14, 2007

Washington, DC: A Feminist’s Friend or Foe?

The great thing about Washington is that it’s a city with a job for everyone. As a native, I certainly held my fair share over the years: writer, administrative assistant, graduate student, usher, professor and cashier, to name a few. But it wasn’t until I was established in my academic career that the city became more of an obstacle to my personal peace and ambitions, rather than an ally. As a long-time fan—and defender—of my hometown, I began to question its idiosyncrasies from the perspective of a woman trying to “make it” well past the point where she already thought she had.

It started with the birth of our first child. Although I went back to work when our daughter was three months old, I soon encountered the difficult demands of full time motherhood and full-time teaching. My work commute was twenty miles one way—on a good day, this could take a half hour. On bad—most often the case—over an hour. Before Lucy, my commute seemed like a fair trade-off for someone who wanted the vibrancy of a city, yet whose career ambitions led them to the suburbs. But once I became a mother, two hours a day in the car meant I was without the company of my daughter ten hours a week—a hefty sacrifice. Adding to my disenchantment was the fact that as a college professor living in DC, I earned just enough money each month to hand it all over to my child’s caretaker—who worked part-time. I also happened to work in a place where more than one female colleague could recount a period of time in the 1970’s when they were asked not to return to work once it was known they were pregnant. One woman told me she was allotted only two weeks’ maternity leave after having her second child. Two weeks! I could barely walk two weeks after giving birth to Lucy.

Inarguably, this was the year 2005, not 1972. Life at the college was noticeably improved for women. My boss, after all, was a woman, as were many of my colleagues and most of my students. But as I soon discovered, although we’d come a long way since my colleague was granted a miserly two weeks’ worth of maternity leave, imagine my surprise to learn that in this country, that particular benefit is still an option for employers rather than a requirement. And while my college did offer maternity leave, I was dumbfounded to learn that only two weeks of that time would be paid 100%. After that, my pay would diminish, first at 90%, then 80%, 60% and so on. And because I was due to give birth in the middle of the semester, I agreed when my Dean suggested I wait until the spring to return to work. What I didn’t realize was that doing so meant forfeiting my salary for any additional time off—another six weeks without pay following six weeks of reduced salary.

Could we manage?

Fortunately, we could. A lot of women, I imagine, could not. Unlike them, the worst consequence of my personal choice—if I chose to go back to work after six weeks—would be a few disgruntled students and their substitute. My job wasn’t on the line or even in jeopardy. Quite the contrary, my colleagues and supervisors were incredibly supportive of my decision to work and have a family.

Everyone, it seemed, except the state of Virginia. Working at a state college, our policies were determined by the Richmond legislature. This got me thinking: Were there places to live that provided more support for women? It seemed like such a simple thing. But still, I wasn’t sure. What did such a place look like? Where might it be? Would I recognize it if I saw it?

There was an article I clipped out of the Washington Post some years ago, written by a woman who had recently returned to the US after living in France for many years. The premise of her article was that of the two countries, the US came across as a better place of opportunity for women but it was actually Europe who put their money where their mouth is. There, working women are given a full year’s maternity leave, with the promise of their job upon their return; work/life balance is better mediated by a 35 hour work week; and healthcare is available for all. Sadly, these are all privileges we women here in the states do not enjoy.

For many years, I dreamed of moving to Europe. Sadly, this has yet to happen. But after Lucy’s birth, I found myself once again sorting through what kind of life I wanted to have. My return to work proved to be incredibly exhausting, and our 600 square-foot apartment was shrinking with each passing hour. And yet, even with a healthy combined income, we still couldn’t afford a house in the city. In our neighborhood alone, the average price of a house topped just under a million dollars.

A million dollars! Who were these neighbors of mine?

One afternoon, Chris and I looked at a two bedroom apartment opening up just a few blocks away. One step inside and I loved it. It was beautiful, just like ours, with all the same character and period charm, but infinitely bigger. And the rent wasn’t much more than we paid for our place! So how can I explain what came over me as I stood in that gleaming living room? In that moment our future was made clear to me in writing on the wall so bright and shiny I couldn’t miss it: For the next ten years, you will work your ass off and have absolutely nothing to show for it!

Statistically speaking, Washington, DC is the place to be if you’re a woman. Just this past year it ranked the highest US city for female labor force participation, with an earnings ratio of 85.5%. More good news: 52.5% of these women are employed in managerial or professional positions[1]. If that’s the case, then why did I find it so much the opposite?

For me, it all goes back to France versus the United States. Although DC employs a lot of top o’ the ceiling women, it’s also a city that hosts the nation’s seat of government. In other words, there are a lot of jobs in that town. And the government is one of the few places of employment where minority status matters—it’s a much needed leg-in and often times, a leg-up. In addition, Washington is saturated with institutions of higher learning and non-profits—two fields known to employ more than their share of women.

But ask any of these professional women to rate their quality of life, and I’m sure you’d find an interesting mix of answers. For what’s missing in all these wonderful career opportunities is what’s missing in too many places in this country—the ability to pursue a satisfying career and maintain a decent standard of living. Lack of affordable housing, healthcare and childcare greatly affects a person’s quality of life, no matter her job title.

This injustice was something I became good at rationalizing—haven’t we all? Sure, it was royally unfair that I had to shell out so much of my earnings just to ensure my daughter was well taken care of while I pursued my professional goals, but—hey. Isn’t that how it is? I considered myself one of the lucky ones—at least I could afford the babysitter. Sort of. But certainly, more so than the woman earning minimum wage. How in the world would she do it?

The truth was, I was doing it. We may have had to cut back, but no one in our house was going hungry. And it is for this reason that, while I found my hometown to be, well, not exactly hostile to feminists—welcome, Nancy Pelosi!—I did find the liberation somewhat botched. One where the basic tenets of feminism—the right to pursue all possibilities of the life I’ve imagined for myself—wasn’t so much a reality as a work-in-progress. And maybe that is simply the fault of our nation, exemplified here by its capitol. A problem not of choice or opportunity, but of support for those choices and opportunity. And I do mean financial.

Maybe there is no city in the US that’s a perfect haven for a feminist, but I do believe there are some that come closer than others. As for me, Chris and Lucy, I’m happy to report we decided a radical change was in order: like so many of our ancestors facing questionable times, we decided to pack up and move west, hitching our dreams to a smaller, more affordable city: Portland, Oregon.

Look for a review coming soon!

Review by Janet Freeman

Saturday, January 13, 2007

Hammock – Raising Your Voice… Trying to Stop an Echo

Darla Records

The latest album by Hammock, Raising a Voice…Trying to Stop an Echo, is a beautiful compilation of piano and electric guitar that stretches across genres showing mass appeal to many different audiences. All new eighteen tracks on this album enrich you with a cascade of sound that is perfectly harmonious. The songs flow seamlessly from track to track making it seem more like an orchestrated concert just for you as opposed to just another album. Listen closely and you can hear beautiful string accompaniments and steady percussion. This album is ideal for relaxing after a long day of work, guided meditation or to add a little enchantment into the everyday. Many times when listening to albums of this genre a rock n' roll die hard such as me has a tendency to cringe. However, this is one album I will definitely keep in my collection for years to come. I look forward to future albums by Hammock.

Review by Diana Tierney

Raising Your Voice... Trying to Stop an Echo

Friday, January 12, 2007

We Got Issues!: A Young Woman’s Guide to a Bold, Courageous and Empowered Life

Edited by Rha Goddess & JLove Calderón
Inner Ocean Press


Simone de Beauvoir remarked nearly sixty years ago that in our society woman occupies the negative while man occupies both the positive and neutral positions, and this remains true today. This compilation of interviews, essays and poems highlights the thoughts of young women throughout the country and spotlights voices that are often missing from public debates, allowing us to hear their voices on serious issues. The editors should be particularly congratulated for seeking out women of color and lesbians as contributors since they, more than straight, white women, are often overlooked by mainstream media.

The book contains sections on health, spirituality, “-isms” (discrimination), sexuality, friendship, motherhood, violence, finances, work, and citizenship. Each themed component ends with a “ritual of empowerment” for readers to connect with that aspect of their lives as well as a page of statistics.

Some pieces highlight challenges and frustration. E. Anne Zarnowiecki’s “To Whom It May Concern,” for example, details her experience being treated as a second-class citizen when her young son was injured, as hospital employees could not grasp the idea that the boy had two mothers rather than a mother and father. In “You Can Be Right, Or You Can Be Happy,” Ghana-Imani gives an amusing and on-target description of someone searching for perfection in a romantic partner and coming to realize that she’ll have to settle for less than that, which doesn’t necessarily mean she’ll be unhappy.

The interviews, one in each section, are the weakest area. While occasionally informative, as a whole they are unengaging. A notable exception is the interview with Chino Hardin, who spent time in jail as a teenager and now works for the Prison Moratorium Project, at the start of the segment on violence. Her discussion of the nature of violence and her own journey to understanding its impact on her life is illuminating and unapologetic.

The personal narratives of the book’s editors give us a glimpse of how the issues explored touch on their lives and those of other women. For instance, in the section “Who’s World Is This?”, Rha Goddess describes her disillusionment with electoral politics and her search for another way to make a difference.

More often than not, compilations are fragmented, but while the pieces in We Got Issues! represent a wide array of viewpoints, the editors have assembled them in such a way that they compliment each other. An enlightening read.

Review by Karen Duda

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We Got Issues!: A Young Women's Guide to a Bold, Courageous and Empowered Life

Thursday, January 11, 2007

Vintage Cameo Earrings

By Angel Court Jewels
http://www.angelcourt.com

If you’ve ever read a Bronte novel that wasn’t on the syllabus or if you just have a taste for the intellectually exquisite, these little jewels might just fit your style. Angel Court Jewels has made the old new again and put a fresh spin on the cameo with these revamped gems. Not exactly a jewelry connoisseur, I can’t tell if they’re trimmed in real gold, but their warm glow and weightiness leads me to believe they are. The pair tips the scale at .3oz (which is about ten times heavier than my next heaviest pair). They tend to tug at the earlobes a little after prolonged wear, but the minor discomfort is far out weighted by their stunning elegance. Forget about trendy bling, these are unique, smart and timeless.

Review by Patricia Valery
Picture is not of item reviewed.
* Feminist Review Special: Get $10 off an order of $50 or more from Angel Court Jewels by entering the code "CR10" *

Wednesday, January 10, 2007

Deerhunter – Cryptograms

Kranky Records

Cryptograms, Deerhunter’s first album on Kranky, is the product of an extremely tumultuous time in the band’s life. After losing a member, the band tried recording the album in a single day early 2005. Deemed a failure at the time, this session makes up the first half of this album - a discordant, noisy, at times psychedelic tangle of guitars and yelps. “Cryptograms” and “Lake Somerset” take some elements of drone and noise rock and combine them with psychedelic elements, to make them more palatable, but no less interesting. The second half, recorded in another single day - this time in November 2005 - seems like a different band at times. The track “Spring Hall Convert,” starts with the lyric “And I woke up,” and sounds exactly like that, a rebirth of a band who had to overcome a lot to make this record. The pop (in the traditional sense) elements are more present in this second half, which is more hum-able and accessible, but, also no less challenging than the first half. “Strange Lights,” my favorite track on the album, sounds like something that could have been made by a modern band transported back to the 1960s to blow everyone away. Cryptograms, while seemingly sonically schizophrenic, is actually a complete description of the growth and evolution, personal and musical, of a band who is sure to become one of the most talked about of 2007.

Review by Dana Reinoos

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Cryptograms

Tuesday, January 9, 2007

Targeted: Homeland Security and the Business of Immigration

By Deepa Fernandes
Seven Stories Press

In Targeted: Homeland Security and the Business of Immigration, Deepa Fernandes dispels the myths that immigration issues are primarily about post-9/11 homeland security by revealing their roots as economic, labor, environmental, and race issues.

Through historical analysis, interviews, and good old muckraking, Fernandes discusses how illegal immigrants do not often view themselves as lawbreakers coming to establish U.S. citizenship—though many falsely hope that hard work will result in the achievement of the American Dream—but are illegal workers crossing to serve as members of a legalized underclass of wage-earners who perform tasks critical to both the U.S. economy and the American way of life. To complicate matters, Fernandes also examines how legal immigrants to the U.S., including valid green card holders, students, contracted workers, asylum seekers, permanent residents, and military personnel are increasingly affected.

The parts of Fernandes’s book that stand out are the personal stories of various people trapped by a system the U.S. government and media claim is “protecting the homeland” and “securing the border” when the reality is quite different. For many immigrants finding work and establishing a life in the U.S. is an imperative only because of the destruction of their home-state economies by U.S. economic policy and legislation, such as NAFTA, which is inflicted upon other countries through globalization and global finance firms like the World Bank and International Monetary Fund (both of which are U.S. based).

Fernandes’s rake does get bogged down in the muck towards the end, especially in her extensive and often repetitious chapter on the effect the white supremacy movement has on immigration reform. However, she does receive kudos for refusing to let the Democrats off the hook. Nor does she let individual Americans escape culpability, as it is the American lifestyle - dependent on cheap goods, foods, and services - that fuels government and corporate exploitation of immigrant wage-labor. For the individuals caught by an unjust and racist system whose tales form the core of the book, the treatment of immigrants is not just a frustrating dance with bureaucracy, but is inhumane, a reality Fernandes targets with solid investigative journalism and sensitivity.

Review by Lacey Dunham

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Targeted: Homeland Security and the Business of Immigration

Monday, January 8, 2007

The Blow – Paper Television

K Records

You might hear the term “pop” thrown around in reference to The Blow’s latest album Paper Television, but don’t be fooled into thinking this is anything like conventional mainstream pop music. Think about it, when’s the last time you heard Lionel Richie’s “Dancing On The Ceiling” compared to post-punk, or Wang Chung’s “Everybody Have Fun Tonight” deemed anything like electro-clash? Somewhere along the line indie kids got the idea that it was cool to call their music “pop” simply because the lyrics were cheesy. Truth be told, The Blow’s Paper Television is an indie album made up of cutsie female vocals laid over some laptop bleeps and synthesizer effects. The lyrical content lingers around relationship issues and doesn’t really expand much beyond—that part of it fits into the pop paradigm, but the pipsqueak vocals and glitchy, DIY, electronica instrumentation and jagged melodies are anything but “poppy.” If you own two or more albums from the Kill Rock Stars catalog you might like this, but if you’re looking for "real" pop music, you’d be better off digging out those old NSYNC CDs.

Review by Patricia Valery

Paper Television

Sunday, January 7, 2007

Shea Butter Body Sorbet

By Kristine’s Shower
www. InKristinesShower.com

Winter has delivered its annual plague of cracked heels for many of us. On the day I received this product, one of my heels had begun to crack despite my religious use of other products to prevent that problem. This sorbet (a much more fun word than lotion or cream), used along with another product from Kristine’s Shower, the Shea Butter Body Frosting, took care of that heel in about four days. It’s smooth, light and absorbs well into the skin. The only minor disappointment was in the scent – “Blackberry Blast.” The smell of other ingredients overpowered it just a bit. The result wasn’t unpleasant, just not memorable. Despite this, I am sold on this product and will order some from the website as soon as I catch up from the holidays. I was pleased to note that the label gives the buyer the estimated shelf life of this product – three months – which is quite reasonable for a four ounce jar ($4) of this great skin product.

Review by Pamela Crossland

Saturday, January 6, 2007

Apostrophe

By Elizabeth Robinson
Apogee Press

Elizabeth Robinson’s new book of poetry is startling in a number of respects: more white space than word, more whisper than yawp, poems with one-word titles like “Wind” and “Lost”—and, in fact, titles like “Anemone” repeated twice, as if the author were revising herself or perhaps offering variations on a theme. The language first encountered seems startlingly abstract and enigmatic, although moments of sensational contact invoke Whitman’s advice: “missing me one place, search another,” at the end of “Song of Myself.”

In two epigraphs, the poet signals that the book is, in part, a narrative about grace, coming unpredictably like an a gift of words. Often, here, because of the sparseness of the lines, the silence in the interstices, the words seem more sacrifice than gift, offered almost reluctantly and with great caution. In her revisions, her repeated titles, her quiet musings, she experiments with forms of grace as made manifest in the wind, in the passage of time, in the unfolding of petals.

Perhaps the most extraordinary effect of the work, finally, is a product of the author’s singular talent as a sculptor of bodies: mouths and spines and armpits vivid, bare, resplendent: “My back pressed up against your back, and times’s tensile in between”—time and flesh, object and abstraction nestled up against each other.

Robinson’s title alludes to a poetic convention: the direct address, in this case I think to the reader, rather than to the wind or perhaps some supernatural being as others have done. An apostrophe is also, of course, a punctuation mark of elision or ownership. Read the white space; find what’s omitted, she asks, and there you will find a poet of remarkable control and evocative power.

Review by Richard C. Taylor

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Apostrophe

Friday, January 5, 2007

Rachael Sage – The Blistering Sun

MPress Records

“Alright, OK,” the opening track on Rachael Sage’s new album The Blistering Sun, introduces you to all that is best about Sage’s music: it’s an vibrant, catchy, pop tune showcasing her warm, versatile voice, with clever rhymes and introspective lyrics, as well as top-notch piano playing and penchant for horns. Other standouts include the mellow, jazzy ballad “Violet or Blue” the buoyant “C’mon Over” and “Lonely Streets,” which features the memorable line, “You were the fun I should have done without.” The accordion and urgent tempo immediately mark “93 Maidens” as a departure. The lyrics capture the listener’s attention: the song tells the true story of Chaya Feldman, a Warsaw teenager, who, along with 92 classmates, swallowed poison rather than becoming a prostitute for Nazi soldiers. The tongue-in-cheek “Hit Song” is a confessional about the chart topper Sage believes may hide inside her. The track stands out for the absence of piano and for the vocal, which is spoken more than sung. The tune is something you’d hear at a poetry jam, with percussion, drums, and horns giving it a jazzy feel. Sage is at the top of her game on this album, which makes it a great introduction for those who haven’t heard this talented musician.


Reviewed by Karen Duda

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The Blistering Sun

Thursday, January 4, 2007

SAW Land and Globalization Poster Series / Siere Del Cartel De Tierra Y Globalizacion

Street Art Workers

Josh MacPhee and many other artists have been placing poster art for various political causes - such as anti-militarism, the Hands Off Assata movement and the prison industrial complex - throughout Chicago. Now Street Art Workers, an international network of artists affiliated with MacPhee, have started a newsprint political poster arts series. This first collection features posters by artists on the theme of corporate globalization, connecting the economic oppression of several countries simultaneously. Each poster is reminiscent of some of the Cuban poster art with its blue, black and white prints.

Some of the pieces are woodcuts and stencils, while other focus on the text as part of the illustration. One notable poster by Andalusia features one half as a piece written from the perspective of a Jewish American describing his right to live in Israel and the other half is a Palestinian’s words about losing his homeland framed by blue keys. Ally Reeves’ poster describes the privatization of land in Burma, Indonesia and Thailand; the text is interspersed with images of people in agrarian scenes. Although these posters are thought-provoking, some of the posters that rely on images are more arresting. Poland-based artists Lena Szczesna and Filip Berendt rendered a mouth in the shape of the African continent that reads: “Feed Africa.” A piece by London’s Jonathon Baker reinterprets Joe Rosenthal’s recognizable 1945 photograph “Raising the Flag at Iwo Jima” by having the soldiers raise a flag with a barcode instead of Old Glory.

Most of the artwork does not feature women, but the issues (homelessness, the NAFTA Superhighway and genetically altered foods) affect everyone. There’s also a significant number of female artists contributing to the publication. Hopefully there will be more women and more work from more Asian, Latin American, African and Native contributors since the issues reflected in the posters concern them too. Claude Moller’s poster to stop the Shasta Dam in California that would displace the Winnemem Wintu tribe from their sacred sites near McCloud River is a poster that features Native American people. What if the subjects of the art created their own art? In any case, this work makes its viewers think, and the pieces might be worth framing or, at least, posting in a window to catch the attention of those passing by.

Review by Tara Betts

Wednesday, January 3, 2007

Baghdad Burning II: More Girl Blog From Iraq

By Riverbend
The Feminist Press

Some people are covering the war in the Middle East from a distance. Riverbend is blogging directly from Baghdad. This second print installment of Riverbend’s blog offers her entries from late 2004 to the beginning of 2006. There are humorous moments when she offers a Christmas list requesting blast-proof windows, landmine detectors and running water. Her hilarious version of the 2006 Oscars dubbed the Sayid Awards nominates George W. Bush as one of the Best Actors for convincingly portraying “the world’s first mentally challenged president," but she also indicts several Islamic leaders who act unaware of the political climate.

Riverbend is writing with limited access to the world at large yet, she offers a probing perspective. She analyzes media sources, television shows and various drafts of the pending Iraqi constitution. This is an accessible book that introduces the human side of hundreds of thousands of innocent civilians impacted by the war in Iraq. The treatment of women is noted. Some of the glaring inequities include being turned away for service in a public place for being improperly covered, when ballots must indicate the sex of the voter, when the grocer says the policy will not change him running his store and Riverbend remembers she cannot work. The abstractions of war and confounded policy in Iraq become concrete in such moments.

Other entries describe the effects of bombing where people still live, celebrate birthdays, shake silt out of the rugs creeping into their homes from dust storms and hope for less than sporadic electricity and water. Riverbend introduces Elin, a translator for the kidnapped U.S. journalist Jill Carroll. Elin was killed before Carroll’s abduction, but Iraqis like Riverbend knew him for his record store where people could find refuge in music and conversation before bombings closed the store. Abu Ammar runs the local produce market where the prices for and types of produce available tell people about the conditions in other parts of the country.

Such characters and her analysis sparks offers another voice speaking on the issues that continue to emerge from this Middle Eastern conflict going into its fourth year. Baghdad Burning II gives insights from a person who is experiencing and not just observing. Her ongoing commentary is still being posted at http://riverbendblog.blogspot.com/.

Review by Tara Betts

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Baghdad Burning II: More Girl Blog from Iraq (Women Writing the Middle East)
Baghdad Burning: Girl Blog from Iraq

Tuesday, January 2, 2007

The Book of Mary

By Gail Sidonie Sobat
Sumach Press

Initially, this novel annoyed me. It begins with the story of Mary at the age of 14. She is of marriageable age, but she is a willful girl who is not only literate, but a teenager with ideas of her own. She sneaks out at night, and catches the eye of a young man named Jeremiah at a brothel, where she is allowed to dance. Joseph is there, too, and he has his eye on Mary, but she finds him to be dull. Mary and Jeremiah fall in love, and Mary gets pregnant. She then finds that Jeremiah is a rogue. Undaunted and ever resourceful, Mary saves both herself and the baby by concocting a wild lie about being visited by an angel who tells her that she is to give birth to Yahweh’s son. Joseph, who by now has already asked for her hand, is not fooled, but he is easily dominated, and so he goes along with the lie. Her parents, though devout Jews, do as well. And so Mary is married to Joseph, and he takes her to Bethlehem on a camel’s back. You may know rest.

Mary reminds me too much of a stereotype in the beginning. It is a story of a girl becoming a woman and coming into her own, refusing to buckle before authority, no matter how harsh and domineering that authority might be. Sobat repeatedly reminds us that in Mary’s day, women were stoned on a routine basis. This is, in theory, what kindles Mary’s crazy story about a virginal conception. What is so hard to believe, however, is that she actually gets away with it, or with the pseudo hospital and spiritual home for women that she supposedly builds, and which survives, despite the harsh patriarchal rule of law. However, the more I read, the more entranced I became. Sobat is a good story teller, and her Mary becomes a character that it is hard not to fall in love with. And the fact that Sobat comes up with her own version of the story told for 2,000 years becomes rather fascinating. We all know how this one is going to end. But it is the question of what happens to Mary, not to Jesus, that kept this reader turning the page.

Review by Susan Melinda Dunlap

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The Book of Mary

Monday, January 1, 2007

The Secret Magdalene

By Ki Longfellow
Crown Publishing

Although the daughter of a privileged affluent Jewish aristocrat, Mariamne is unable to overtly display her love of learning as females do not obtain a formal education. Thus, she secretly studies whatever she, her personal slave, Tata, or her father’s ward, Salome, can borrow books without anyone knowing. After becoming ill, she began hearing voices in her head that she assumed were prophecies even as she fully recovers from her ailment. When her father catches Salome alone with a young male guest and no escort, he becomes irate and tosses her out with nothing except the clothes that she is wearing. Though he has no evidence of violation except a nebulous guilt by association, he also accuses his daughter of the same outrageous behavior and exiles her to his brother-in-law’s house with an admonishment to never see Salome again. Instead Mariamne and Salome, dressed as men, run off to Alexandria, where they study in the library. Eventually Salome meets John the Baptizer while Mariamne finds herself attracted to Yeshu. The latter two share a love and the premonition of the Crucifixion and the Resurrection. Providing a female perspective to the birth, death and rebirth of Jesus, readers see a unique viewpoint from that of The Secret Magdalene. Mariamne and Salome are terrific protagonists, who, aside from a retelling of the major events in Jesus’ life, enable the audience to obtain a look at the restricted lifestyle of even a wealthy female in the Holy Land. Though the action is limited, readers who want to a wider feminist glimpse of the last days will want to read Ki Longfellow’s fascinating biblical tale.

Review by Harriet Klausner

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The Secret Magdalene